I get asked occasionally about the self-publishing process and how it compares to the “professional” publishing process, since I have done both. I thought it might be interesting to compare and contrast these two approaches. The professional approach is regimented, organized, and carries many advantages, while self-publishing allows total freedom, at the cost of doing a lot more work for a lot less money.
During the promotion of my first book, I wrote a post about the experience of working with a professional publisher:
I know that working with John [editor of my book] and the Prags [Pragmatic Programmers, the publishers] has made me a better writer, but would I be confident enough to “go it alone”? Given my lack of notability, I feel I benefit greatly from having my work published and distributed by the Prags. Further, knowing my writing style and abilities as I do, my work will be much higher quality with a team of professionals in my corner.
The post is very “pro professional”, and I had a great experience. I also sold (and continue to sell) a good number of copies. As of now, I’ve sold over 6,000 copies of Build Awesome Command Line Apps With Ruby. I’m happy with those results, especially considering what a niche topic it is.
I conclude with
That being said, I’d still love to try self-publishing at some point…
With my current book, I got my chance. I proposed it to the Pragmatic Programmers, however they didn’t feel it was a good fit for them. The topic of the book is broad—what every programmer needs to know besides coding—and they have at least three titles that could overlap with the subject matter.
I wanted the book to be written, so I soldiered on alone, deciding to self-publish. I have not sold nearly as many copies as I had with my first book at this point, but I’m still happy with the results, and certainly not done promoting the new book.
Having gone through both a professional publishing and a self-publishing process, I thought it might be interesting to shed some light on how these two processes work. These are only two data points, so your mileage may vary.
Working with Professionals
My original post contains a good deal of information about what it’s like to work with a team of publishing professionals. Obviously, it’s only one datapoint, but my experience jibes with most other tech authors I’ve talked to. The basic process is:
- Proposal accepted
- Development editor assigned
- Write a chapter
- Editor reviews
- Revise chapter based on feedback
- Repeat from step 4 until chapter is good
- Repeat from step 3 until about 25% done
- Managing editor review
- Revise as needed, then back to step 3 until half done
- Publisher review
- Revise as needed, then back to step 3 until mostly done
- Tech reviews (these might happen earlier)
- Copy-editing, indexing, and typesetting
Let’s delve a bit deeper into some of these, because they are relevant to the self-publishing process.
So, if the development editor isn’t worried about commas and grammar, who does? The answer is the copy-editor. God bless these people, because it sounds like an awful job. They comb through the manuscript fixing all of the typos the author has made. This is done at the end because a) typos and missing commas aren’t important to the creative process and b) the text is likely to change during development, so there’s no sense in copy-editing more than once.
Similarly, indexing and typesetting are saved until the end as well. Indexing is what it sounds like—making the index. Typesetting is a bit more involved.
In the old school, the author might produce the book in Word or some other electronic format designed for editing and commentary (or perhaps even a typed/written manuscript in the real old school). Once the work is done, the text is transferred to a system like Quark or FrameMaker to be set for printing. Many publishers still work this way. The Pragmatic Programmers, however, pioneered a better way. They have a toolchain whereby you write your book in text that can be converted into a beautifully typeset PDF (as well as various e-reader formats). They even have a build server set up to build your book whenever you commit changes.
Despite the automation, there is still some manual tweaking that must happen before the book can be printed, and so there is a final stage of manually adjusting the typography to ensure words are hyphenated in the correct place, there are no words on pages by themselves, etc.
The real power of this system is that they can typeset the book for more than just print. While the PDF looks like the printed book, readers also get an ePUB and a MOBI for reading on a wide variety of e-readers. I don’t know how much manual tweaking they do to this part, but given my experience with these formats (below), they’ve created some powerful tools that produce really great e-reader formats.
Let’s talk about what’s good and what’s bad with this process.
Getting eyes on your book as you write is awesome. There’s no doubt in my mind that my book was markedly better for having worked with this team of professionals. Getting feedback from the publisher was also something that can’t be underestimated. Their feedback was borderline brutal, but it came from the right place and was what I needed to hear to do my best work.
In terms of presentation, the end product looks beautiful on paper, and looks great on all the various electronic reading formats that permeate today’s technical landscape. I never once had to worry about formatting, fonts, the Kindle DX, or anything.
They also have the setup to get your book into stores, listed on Amazon, etc. As we’ll see later, this is no small feat and while most of my sales were from the Pragmatic Programmers website, I still sold over 1400 copies from “somewhere else”.
Firstly, all of this costs money, so my royalty per copy is roughly 50% of what the publisher collects from buyers. Although we are in the “The Bad” section, let me be clear that a 50% royalty is far above average. No other publisher that I know of is paying this high a rate. To be honest, 50% seems way too generous, given what’s provided for me and the support I get. But, as great as their royalty rate is, it’s still a cost—the wonderful staff and tools don’t come free, and this is the price.
Intellectually, I know that these gatekeepers are there for a reason, and that we are all on the same team, and that this process is designed to produce great results. And it does do that, however it can still be frustrating. Particularly because I do this in my free time, which has to be carefully managed and budgeted. If I have time to write, but feel unable to do so, it feels like a waste. It also made the entire process feel slow. Even if it really needed to take that long, the feeling of slowness can be de-motivating.
A more serious downside to the gate-keeping is that these gatekeepers must share your vision, or be convinced of it. I agreed wholeheartedly with the vast majority of feedback I got from the editors and publisher, however there were times were I felt their advice was just wrong. Not “wrong” as in “how to sell books” or “how English works”, but “that is not what I want to say”. And so you have to convince someone to let you say what you want, or you have to compromise. It never once got adversarial, but it was frustrating to have to convince someone that my vision was correct. I can only imagine how painful this is for books that aren’t as objective as technology books.
The final downside is that not anyone can engage with a publisher. They only take on so many books at once, and so you have to propose a book and convince them to help you develop it. It is this process that ensures the publisher’s reputation for quality books, and provides the “instant promotion” you get by publishing with them.
As I mentioned, the proposal for my current book was turned down, so I decided to do all of this myself.
Going it Alone
Given the process I outlined when working with a publisher, you might be thinking that self-publishing is completely freeing and reduces the process to:
- Write Book
- Put on Website
Nope. Turns out it’s more work.
At this point, I had a first draft done, so I decided on this process:
- Cobble a toolchain together to validate I could generate the needed formats.
- Revise and edit a chapter.
- Sleep on edits and revise again.
- Repeat step 3 as necessary.
- Repeat step 2 until done with all chapters.
- Re-read book, looking for flow and consistency. Revise as needed.
- Sleep on edits and repeat step 6 as needed.
- Get a tech review from trusted friends and colleagues.
- Revise, then go to step 6 as needed.
- Set up needed accounts for distribution and payment processing.
- Design cover for printed book.
- Design website for book.
- Finish off toolchain.
The role of development editor was played by me after a night’s sleep, along with removing the words “this”, “very”, and “thing” from my dictionary (so they would show up as mis-spelled and I could eliminate them for better words). The role of copy-editor was played by a Ruby script. I had it look for common mistakes that I personally make and don’t catch while reading. It turns out, I use a lot of commas. We’ll get to the typesetting in a moment.
The hope was that by replicating the process in a disciplined fashion, I could produce something of quality without needing the other individuals to be involved (and, therefore, paid). For the creative aspects of the book, this is hard to gage. I feel like the writing in my book is pretty good, but there’s no way to know how much better it could be, or what affect that would have on sales.
Other than actually getting the book written, I needed to handle typesetting it, distributing it, and getting paid for it.
Distribution and Payment Processing
I created a spreadsheet of about six different ways I could distribute the eBook and collect payments. I actually did this before I got too far into the writing, because LeanPub was one of my options, and they provide a tool-chain along with distribution and payments. Not surprisingly, they were by far the most expensive, costing 10% of the sale price plus 50 cents per copy sold1. Still, way cheaper than professional publishing, but for going on your own (and being willing to deal with the toolchain yourself—no small task as we’ll see), any other way is going to be cheaper.
If only the toolchain would’ve been that easy.
The toolchain takes the source material—your writing—and produces electronic formats for distribution. The three most common are PDF, ePub, and MOBI. There are various tools that can help and they are all pretty terrible, especially when you care as much about the typography of the end-result as I do. I wanted the PDF version to look professionally typeset. The output of a word processor is not what I wanted, and the PDFs generated by asciidoc and pandoc look horrendous to me.
That meant LaTeX. The Pragmatic Programmers toolchain appeared to me to be based on LaTeX, and I had experience with it during grad school, so I knew I could use it to get the desired output. LaTeX is not for the faint-of-heart and while its output is nothing short of beautiful, it is not a tool designed around ease of use.
LaTeX also doesn’t have a good way to produce e-reader formats from LaTeX source, and it is not enjoyable to write or edit in LaTeX’s arcane markup language. I wrote the rough draft in Markdown, however Markdown doesn’t support cross references, which I knew I would need, so I went with Asciidoc.
I then set up a basic toolchain like so:
- Asciidoc fed into pandoc
- pandoc generated LaTeX and ePub
- LaTeX generated PDF
- Calibre generated the MOBI from the ePub
I spent quite a bit of time customizing the PDF output, but I think it was worth it. I used the memoir LaTeX package, which makes it significantly easier to set margins, font sizes, headers, and footers, so that I could create a look that was unique, and that would also fit the page size I planned to use for the print version. It came out great, although was incredibly painful and time-consuming to get right. The world of TeX and LaTeX is not well-traveled, and so documentation is hard to come by.
MOBI is fairly terrible and inflexible, and Calibre generated a pretty awful-looking book. If you look at any bullet-list in my book on a real Kindle, you’ll see what I mean. It looks terrible. And I didn’t realize it until I was completely done and had no energy left to figure it out.
If I do this again, I will write my own ePub and MOBI generator, possibly by using Docbook or HTML as the source and generating LaTeX, ePub, and MOBI from that, using all the power those formats offer. LeanPub’s toolchain looks decent, but the typography of the PDFs is not very good, in my opinion. It’s better than a word processor export, but still not amazing.
When I was mostly done with the book, I discovered Tablo, which is a cloud-based toolchain aimed at getting your book into Amazon and the iBookstore. I do not like writing in degenerate web-based editors without version control, and they provide no PDF option that I can see, so I would not use this service. They are a better option than exporting from a word processor, though.
The Print Version
I knew I wanted to do a print run, so once I had the PDF output how I liked it, I ordered a copy from LuLu, the only print-on-demand service provider I could find. One copy is $7, and it arrived in a few days. It looks and feels like a real book. The cover and paper are quite nice, and because of the typesetting, it looks great. The color on the cover is a bit more variable than I would like, but for the price and convenience of not having to order in bulk, this works really well.
Integrating them into my store was not so easy.
The Buying Experience
Send Owl is very straightforward: you upload whatever you are selling, set a price, and they give you a URL. You configure payment methods and you are off to the races.
They also have the concept of a “package” where you can sell multiple items at once for a total reduced cost. Once I had the print stuff ready to go, I wanted to create a package that gets you the ebook and the print book for a collective discount. This is where I ran into trouble. Send Owl doesn’t do fulfillment. To get LuLu to fulfill, readers would need to buy from them direct, but LuLu provides no discount code mechanism, so I couldn’t offer the book, fulfilled from LuLu, at a reduced price to eBook buyers.
I also couldn’t do it the other way around, because LuLu will not provide you with the email addresses of buyers (or any way to contact them), so there was no way to get buyers of the physical book a discount code on the ebook!
So, I ordered 20 copies at cost and decided to fulfill them myself. Of course, Send Owl has no way to calculate shipping, so I had to set a price that included shipping, but still appeared to be a good deal. To date, I’ve made $135 on the package deal, and spent $35 on shipping. Not good.
That covers direct sales, but what about other channels?
Other Sales Channels
Early on, I looked at Kindle Direct Publishing (KDP). This seemed like a pretty easy way to get listed on Amazon, and at least be a place where reviews could be written and found. Unfortunately, Amazon reserves the right to change the price of your book, for any reason, for any length of time, without warning. I even confirmed this with their customer support, because I thought it was too ludicrous to be true. This means that Amazon could decide to sell my book for 99 cents, and the only thing I could do about it was remove it from the store. Those were not terms I was comfortable with.
The Apple iBookStore is quite the opposite. You set the price, Apple gets 30%, and that’s all she wrote. Your book as to be approved, but it also has to have an ISBN, which can cost up to $200. I may still try this, but I’d need to sell 13 copies to people who would otherwise never know about the book to make it break even. And given how un-remarkable it looks on iPad (it looks fine, just not amazing), I’m not sure I’d want to list it there.
Getting the print version into Amazon and other stores is something LuLu can do, but it looks a bit onerous. You need an ISBN (and can’t use the same one for print and iBookStore—each format has to have its own), and your book must meet a laundry list of requirements before having to be approved.
These may turn into viable options, but for now, I’m holding off.
Now that I had a way for people to buy, I needed to get the word out. I didn’t have the publishers website and marketing channels, so I was on my own.
Marketing and Promotion
On launch day, I posted a link on my blog, posted twice on Twitter (once in the morning, once in the afternoon), and submitted links to both Hacker News and Reddit.
I posted coupon codes on Facebook and LinkedIn for $10 off. This resulted in exactly one sale.
Initially I didn’t accept PayPal, as I didn’t want to deal with them. After some feedback that I might be losing sales, I turned it on, and most of my sales are now via PayPal. I’ve had no problems thusfar.
I’ve written posts on my blog related to the book, with links, however these never generated a noticeable bump in sales. I did a sale on “National Programmer’s Day”, which DID result in a bump (and was clearly worth it, since many of those sales would never have been made). This is one thing that’s nice about going it on your own—you can change course like this any time, and do sales, or change the price pretty much on a whim.
What all this said to me was that I had “tapped out” my social network. I’m proud of the sales I’ve made essentially based on my Twitter followers and blog audience, but I need to do something more to reach a new audience. This is where I’m a bit stumped.
I plan to speak at more conferences, although I have my doubts that this is ultimately worth it, considering the cost of travel. I’ve considered purchasing advertising, however the channels I would find most effective are places that I myself hate seeing ads, so I’m not sure how I feel about that.
Which is better?
As you can see, this is not so straightforward. Going it on my own, I have a lot of freedom, can switch directions, and have complete control over all aspects of the book. The downside, other than having to control those things, is that my personal reach is orders of magnitude lower than the reach of an established publisher.
The downside of a publisher is that I must first choose a topic they wish to publish a book on, and then deal with the process and gate-keeping that goes along with it. But, that process produces a higher quality result. How much higher is unknown.
All that to say that writing books for me is a side project; something I do in my free time. Because of that, the self-publishing route felt better. It felt more agile, and much simpler.
That being said, I’m still getting royalties on my first book, which is going on two years old. Will I be able to say the same about my current book two years from now?
Too Long, DID Read
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